September 15, 2023

Former NBA player Brandon Hunter’s death at just 42 should be news on its own. But thanks to a horrid artificial intelligence-generated obituary, that’s what we’re talking about instead.

According to Futurism, “Microsoft’s MSN news portal published a garbled, seemingly AI-generated article that derided Hunter as ‘useless’ in its headline.”

There’s another tick in the “down with AI” box. But, as an obit writer for the Tampa Bay Times, which Poynter owns, I do wonder if there isn’t a real space for this technology in a different kind of obituary — the one that the family writes through the funeral home or for their local newspaper.

Hold on, now. Hear me out.

If you’ve ever lost someone, you might be familiar with the thick fog that comes with grief and the heavy load of end-of-life arrangements. Obituaries, the resume-listing kind, can fall into that category. Could AI take the details — birth, place, parents, family, death, accomplishments, a sliver of who a person was — and offer something similar to what we now read?

Looks like we’ll see. There are already several generative AI tools attempting this: Tribute, Empathy and Obituare among them.

Here are my questions: Are they any good? Can they do the kind of harm MSN’s piece did? And could they help the people who want to share obits but can’t afford the high price of paid newspaper obits?

I wouldn’t let a bot near the kind of reported obits that I and many other journalists around the country write. But if AI could help families take care of one more thing during what can be the hardest of times, well, it might not be totally useless.

By Kristen Hare, faculty

Danish photojournalist fabricated details in Ukraine war coverage

A photojournalist wrote the names of two Ukrainian teenagers killed in the Russian invasion on a mortar shell, loaded it into the mortar tube and watched it roar toward the opposition.

Or did he?

Acclaimed Danish photojournalist Jan Grarup is at the center of a controversy over his Ukraine coverage, accused of multiple fabrications during his time covering the war as a freelancer. Leading Danish paper Politiken, where Grarup was on staff from 2003 to 2009, announced it would no longer use his Ukraine photos.

An article in Politiken reporting the cut ties cited the mortar shell incident, Grarup’s announcement that “he has lost his objectivity” when it comes to Ukraine and Russia, and multiple pieces of false information in his reporting.

According to the Politiken correction appended to the article in which Grarup details firing the mortar shell, the firing was actually carried out by a Ukrainian soldier. Two other moments in the report were also written as if Grarup had experienced them when he hadn’t. In another article, Grarup had said he was at a pizzeria in Kramatorsk three hours before an attack took place. The now-added correction says he was actually there the day before.

Additionally, Danish weekly Weekendavisen’s Søren K. Villemoes published an article Thursday in which he spoke with Grarup’s two Ukrainian assistants, who accuse him of trying to silence them in correcting the record.

Grarup said he ascribed other’s experiences to himself to protect his sources.

Politiken says the decision to stop working with Grarup only extends to his Ukraine coverage. Editor-in-chief Amalie Kestler pointed to Grarup’s status as a freelancer who sells Politken his work instead of a staff photographer under editorial supervision and didn’t rule out publishing his further work from other countries.

By Annie Aguiar, audience engagement producer

Walter Isaacson: Still an eye for a timely news story?

Aspen Institute President and CEO Walter Isaacson during the North American International Auto show, Monday, Jan. 9, 2017, in Detroit. (AP Photo/Carlos Osorio)

Walter Isaacson and his new biography of Elon Musk have been all over the news cycle this week. A review and two news stories in The New York Times. A cover story in New York Magazine. A full round of morning show interviews. A live half-hour Washington Post interview and another two-hour program with scientist-turned-podcaster Lex Fridman.

The author made some less-than-flattering news as well, when he conceded that the book mistakenly reported that Musk had “deactivated” the Starlink satellite system at a crucial juncture in the Ukraine war. In fact, as Musk clarified, Starlink was “never activated in the first place.“

To an extent, this is a well-planned book promotion as usual for a writer who is now 20 years into what he calls his “genius” biography series. But Isaacson also seems to have an uncanny sense of news timing. A long stint editing Time and a shorter one as CEO of CNN apparently left him with a way of seeing news pegs coming in the distance, even during the long gestation period required to produce a book.

Musk probably was a good bet to be a big story anytime. However, the book was just under the wire to track the first rounds of his remaking of X, (formerly Twitter) which Musk bought last October. And Musk’s role in artificial intelligence was highlighted in a Congressional hearing Wednesday.

This isn’t the first time Isaacson has pulled off that trick. His massive biography of Steve Jobs was released the week the tech entrepreneur died in 2011.

Before Musk, Isaacson’s most recent bio was of Jennifer Doudna and the development of the CRISPR gene-editing system. That one was published in March 2021, months after she had been awarded the Nobel Prize in Chemistry. The timing also allowed for a full account of gene editing during the peak COVID-19 year of 2020.

Maybe a good question is: Who’s next for Isaacson, and should that subject be penciled in as a newsmaker in 2025 or 2026?

By Rick Edmonds, media business analyst

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Kristen Hare teaches local journalists the critical skills they need to serve and cover their communities as Poynter's local news faculty member. Before joining faculty…
Kristen Hare
Annie Aguiar is an audience engagement producer for Poynter’s newsroom. She was previously a state issues reporter for the Lansing State Journal and graduated from…
Annie Aguiar

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